I finally got around to picking up the third book in Max Gladstone’s excellent Craft Sequence, Full Fathom Five. I decided to prioritize this over the other giant pile of stuff I have to read because I am mentally exhausted reading about capitalism and politics and so wanted some nice escapist fantasy. And also because I am apparently stupid and self-sabotaging, since the Craft Sequence is basically all about technocorporate capitalism, just with souls as currency and gods taking the place of… fossil fuels? Basically energy utilities.
My favorite thing about Full Fathom Five right off the bat was that one of its viewpoint characters is very poor, which the previous ones have generally not been, so we get some scenes in which poverty is literally soul-sucking. Izza is a street thief, and it is through her that we see the effects of running low on soul—blurred vision, faintness, dizziness, basically what it sounds like it would be—when she has to buy incense when her goddess dies.
Full Fathom Five takes place on the small touristy island of Kavekana, the main industry of which, besides tourism, is the creation of idols—rudimentary godlike constructs that can be built upon request and worshiped by Kavekana’s priests, as a stable, safe investment with less sacrifice required than traditional actual deities. There are parallels here to any number of complicated financial hedging products that exist all up on Wall Street and elsewhere, and some other distinct parallels to the economies of assorted lovely small islands in places with nice weather that are referred to by residents of larger jurisdictions as “offshore.” The core of the plot is the core of so many stories of modern finance: a bunch of smart finance bros build products that they think have permanently beaten or ended some element of risk in the market, but the thing they thought they’d eliminated the risk of happens anyway. No one can get one over on capitalism indefinitely.
Our other main viewpoint character is Kai, an idolmaker/priestess who ill-advisedly attempts to save a dying idol, nearly dies herself, is hospitalized and demoted, and winds up uncovering a giant conspiracy involving idols, an insufferable poet, and Cat the drug addict policewoman from Three Parts Dead. By the end it also involves Dickensian street urchin Izza and features a cameo by Teo from Two Serpents Rise, forming a wacky girl gang of priestessy types with terrifying powers. It’s FANTASTIC.
After the initial exciting bit with the idol dying and Izza’s goddess dying and Kai almost dying, the plot takes a somewhat leisurely but not too slow pace to really put together a full idea of what’s going on and how urgent it is to fix it, but that’s fine because the backstory and worldbuilding and meandering around Kavekana getting drunk and looking for poets is quite a lot of fun. It’s clear from pretty much the beginning that Izza’s Blue Lady is the idol Kai tried to save even though that’s supposed to be impossible, but this is OK because the real mystery is how the hell that happened, and it’s fun to see when and how the two main characters will finally cross paths (it’s a small island so they run into each other a bunch of times before interacting properly, which is probably a little gimmicky but I liked it?). I figured out who the bad guy was probably a chapter or two ahead of the protagonists; I think it’s pretty heavily telegraphed but only for a little bit, so the period of time you spend basically going “Don’t go into the basement with just a thimble!” is limited.
Kavekana also features a terrifying rock-based police force, although one quite different from the gargoyle-derivative black ops-y Justice agents in Three Parts Dead. These are called Penitents and they are basically big magic geodes/iron maiden type things that criminals are trapped in until their wills are brought in line with the programming of the Penitents. The Penitents basically wander the streets scaring petty thieves, while the rich powerful folks are able to use the Penitents on their enemies to help them cover up crimes. This has no analogies to our current society’s issues of police militarization and their being used by large corporations (like, say the DAPL builders) against regular citizens whatsoever, I am sure.
I’m planning on getting to the last two books in this series later in June when I get up to Maine. I’m really, really glad I finally got around to reading this series; it’s just so great to have well-done fantasy that also indulges my love of reading about financial crime.