My heart is a fish, dipped in fish sauce
Dec. 31st, 2015 06:48 pmOne of the best literary discoveries I made this year was Ann Leckie's Imperial Radch trilogy, of which the first volume, Ancillary Justice, was the first book I read in 2015, after it had won nearly every award in science fiction for 2014. Ancillary Sword I read sometime midyear, and the third volume Ancillary Mercy, was just published this fall.
Ancillary Mercy was a spectacular finale to the series. Breq has sooort of the same goal that she had in Ancillary Justice — to shoot Anaander Mianaai with a Presger gun, against dreadful odds — but things have gotten bigger and more complicated since then, not like it wasn't complicated to start with. Formerly more of a lone wolf, Breq is a Fleet Captain now, with a crew and a ship dependent upon her, and she's deeply enmeshed in the unstable petty politics of Athoek Station, where her ship is docked. Other complications include the arrival of Presger Translator Zeiat (we're pretty sure she's Zeiat because Presger Translator Dlique is dead, so she can't be Dlique) and an unregistered human living in the slums of Athoek Station who might be an ancillary to an ancient, long-lost ship from before Anaander Mianaai took over the Radch, apparently still hiding in its ghost system on the other side of the gate.
One theme that had been running constantly through the books that's really pushed to its limits in this one is the idea of who counts as real people. The Radch have a very self-absorbed notion of "civilization," where to be "civilized" is to be Radch, and therefore anyone who's not Radch can be murdered with impunity as lowly savages up until they become Radchaai — at which point they are entitled to all the benefits of the Radchaai state, on the condition they follow its rules and leave any other sort of identity completely behind them. This doesn't always pan out in practice, of course. The Presger — the powerful, ineffable aliens that are the only creatures the Radchaai are really afraid of — have a similar delineation between Significant Beings and insignificant ones, with Significance being enforced by strict treaties. The Radchaai have managed to get humans a treaty designating them Significant; AIs such as ships, stations, and ancillaries are still considered tools rather than independent, civilized, or Significant races by anybody — except, perhaps, themselves. And Breq has been doing a pretty convincing human impression for several hundred pages now. If the trilogy weren't so long, it would make an excellent, excellent addition to the Aliens and Others in Science Fiction course I took at Clark, which I will freely admit shaped a lot of my thinking on what "literary" work (discussion of what "literary" means to be had at another time) speculative fiction does. Stories that look closely at the relationships between artificial intelligence and humanity have always been my favorite type of science fiction anyway; I like cyborgs better than aliens.
I also like tea, although not as much as the Radchaai like tea, but all the same I very much enjoy the role of tea in these books, and they make me want to own more fancy tea paraphernalia. Fancy tea sets are frequently used as status symbols, and status is extremely important in Radchaai society. One especially fancy tea service becomes quite integral to the plot after it is tragically shattered by a spoiled brat near the end of Ancillary Sword, as it provides important clues to one of the many knotty political mysteries Breq is trying to untangle.
This series has been targeted by assorted reactionary types for being too political, as if any halfway decently written political drama isn't going to be freaking political, or indeed, any decently written story at all. And it is true that the villains and heroes in this work are not determined by whether they are wearing white hats or black hats, but by their actual actions and beliefs. There are some plotlines featuring actions taken and beliefs expressed that do relate to certain hot topics in modern civilization, such as Lieutenant Seivarden's slow, painful journey toward becoming less of a classist assbag, and Anaander Mianaai's questionable views on how to handle peaceful citizen protest. Personally I think these are handled stellarly — they're certainly relevant to modern issues, but they are very much a part of the world of the Radch — after all, while the world of the Radch seems strange initially, people are people and we kind of do the same basic sorts of stupid shit in a lot of our societies — and they are integral and organic parts of the story Leckie is telling. And honestly, it's these sort of little human details — people being whiny and emotional and status-conscious and petty and materialistic and flipping their shit about tea — that fills out these sorts of big epic space dramas with their talking ships and nearly-magical weapons and farcically incomprehensible aliens and makes them feel real and rich and relevant.
I think this is never more relevant than with the Presger, who are so completely and terrifyingly outside of human norms that the Presger Translators they send (who seem to be . . . constructed, somehow, like they were grown and programmed in a lab) generally come off as farcical — in addition to their being some confusion over which one is Translator Dlique and which one is Translator Zeiat, Translator Zeiat's favorite drink is fish sauce, no matter how many times the humans try to explain that fish sauce is a condiment — which, occasionally, makes it tempting to forget that they are actually terrifying. All their weirdness makes total sense somehow, to them, and they're the ones with the sufficiently-advanced-so-as-to-be-indistinguishable-from-magic guns. It's creepy as hell. But it is also still hilarious.
Actually, much of the book is hilarious; it might be a bit much if it weren't. But for a spaceship, Breq is pretty witty in a deadpan sort of way.
I'm a bit sad that there will be no more of this series, although I think it did wrap up in a very satisfying way. Perhaps I should go back and read it again rather than pining for more; I'm sure there's some things I missed the first time around.