Clockwork Awesome
Dec. 30th, 2012 09:55 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
So, when I heard that there was a steampunk prequel trilogy to the Mortal Instruments series, my initial reaction was roughly what any sane person's reaction is to the phrase "prequel trilogy"--"AHAHAHAHA THAT'S GOING TO SUCK." Then I heard that it was actually quite good, and I was curious. So then I decided to actually read what is known as the Infernal Devices series, which is going to be a trilogy but is currently only two books, Clockwork Angel and Clockwork Prince.
Verdict: So far, not sucky! Series successfully combines all our favorite stuff about Shadowhunters with Victorian period goodness and some funky robots. Plus, lots of references to awesome Victorian novels, including ones that were super popular in the day but are not necessarily still household names to anybody except English students with a particular interest in Gothic novels and/or Victorian literature! (Yet another way that pretty much every other YA fantasy novel currently available is superior to Twilight. But I digress.)
My biggest complaint about this series is that it parallels The Mortal Instruments a little too closely. ...Okay, at times, way too closely. There are reasons that many of the less original tropes used in this series are classics, but still.
Our main character is Tessa Gray, the Unlikely Hero Who Thinks She Is Normal But Turns Out Not To Be. Tessa's parents are tragically dead (duh). When Tessa migrates to England to live with her brother Nathaniel, she is instead kidnapped by two warlocks called the Dark Sisters and mercilessly trained in the use of a power she didn't know she had--when she touches people's personal objects, she can shape-shift into them, and has access to their thoughts and memories. She escapes from the Dark Sisters with the help of two teenage Shadowhunters named Jem and Will. Jem and Will are parabatai, which of course means that they are Pretty Much Opposites In Every Way. Jem is the nice one. Will is a classic "Jackass on the Outside, Pile of Miserable Feelings Due To Tragic Backstory on the Inside" epic-romance love interest. Jem and Will actually both have tragic backstories, and I will say that at least their tragic backstories are pretty non-cliche! (In fact, Will's rather weird Tragic Backstory is as such that I think he will not end up with Tessa until he actually stops being an asshole, even on the outside. So that may be a plus.) Shortly after we meet Will he makes an awesome joke about Lady Audley's Secret and for that alone I like him slightly better than Jace.
Tessa hides out with the London Institute of Shadowhunters, which is run by an awesome lady named Charlotte and her goofy inventor husband Henry, although mostly Charlotte. There is a buttload of Shadowhunter politicking, this time with extra Victorian sexism. Poor Charlotte. They keep getting attacked by robots that are apparently being made by someone called The Magister who we don't know anything about except that he runs a sketchy club for Downworlders and stupid rich mundanes called The Pandemonium Club, and also that he wants to marry Tessa, presumably so that he can control her power. Tessa wants to find out what the hell her Tragic Backstory really is and if she is a human or a warlock or what, and also rescue her useless brother. There is an obligatory love triangle between Tessa and Jem and Will. Tessa makes fun of The Castle of Otranto. Magnus Bane shows up again, which is pretty much the best thing in the series, because Magnus Bane is more awesome than everything.
PS Magnus Bane is getting his own stories soon, yay! Sarah Rees Brennan will be helping write them, DOUBLE YAY!
Verdict: So far, not sucky! Series successfully combines all our favorite stuff about Shadowhunters with Victorian period goodness and some funky robots. Plus, lots of references to awesome Victorian novels, including ones that were super popular in the day but are not necessarily still household names to anybody except English students with a particular interest in Gothic novels and/or Victorian literature! (Yet another way that pretty much every other YA fantasy novel currently available is superior to Twilight. But I digress.)
My biggest complaint about this series is that it parallels The Mortal Instruments a little too closely. ...Okay, at times, way too closely. There are reasons that many of the less original tropes used in this series are classics, but still.
Our main character is Tessa Gray, the Unlikely Hero Who Thinks She Is Normal But Turns Out Not To Be. Tessa's parents are tragically dead (duh). When Tessa migrates to England to live with her brother Nathaniel, she is instead kidnapped by two warlocks called the Dark Sisters and mercilessly trained in the use of a power she didn't know she had--when she touches people's personal objects, she can shape-shift into them, and has access to their thoughts and memories. She escapes from the Dark Sisters with the help of two teenage Shadowhunters named Jem and Will. Jem and Will are parabatai, which of course means that they are Pretty Much Opposites In Every Way. Jem is the nice one. Will is a classic "Jackass on the Outside, Pile of Miserable Feelings Due To Tragic Backstory on the Inside" epic-romance love interest. Jem and Will actually both have tragic backstories, and I will say that at least their tragic backstories are pretty non-cliche! (In fact, Will's rather weird Tragic Backstory is as such that I think he will not end up with Tessa until he actually stops being an asshole, even on the outside. So that may be a plus.) Shortly after we meet Will he makes an awesome joke about Lady Audley's Secret and for that alone I like him slightly better than Jace.
Tessa hides out with the London Institute of Shadowhunters, which is run by an awesome lady named Charlotte and her goofy inventor husband Henry, although mostly Charlotte. There is a buttload of Shadowhunter politicking, this time with extra Victorian sexism. Poor Charlotte. They keep getting attacked by robots that are apparently being made by someone called The Magister who we don't know anything about except that he runs a sketchy club for Downworlders and stupid rich mundanes called The Pandemonium Club, and also that he wants to marry Tessa, presumably so that he can control her power. Tessa wants to find out what the hell her Tragic Backstory really is and if she is a human or a warlock or what, and also rescue her useless brother. There is an obligatory love triangle between Tessa and Jem and Will. Tessa makes fun of The Castle of Otranto. Magnus Bane shows up again, which is pretty much the best thing in the series, because Magnus Bane is more awesome than everything.
PS Magnus Bane is getting his own stories soon, yay! Sarah Rees Brennan will be helping write them, DOUBLE YAY!