bloodygranuaile: (gashlycrumb clara)
 Sometime this past week I wanted to read a book but I had half an hour before I knew I was going to conk out and also I didn't feel like committing to anything, so I did the thing I've been been doing a lot lately when I feel like that, which is reach for an Edward Gorey book. Except I'm all out of proper Edward Gorey books, so I did the next best thing, which was to reach for a book illustrated by Edward Gorey and that seemed vaguely of the same sensibilities. So I elected to read Cautionary Tales for Children by Hilaire Belloc (the byline reads "Hilaire Belloc, rediscovered and illustrated by Edward Gorey"). 
 
Cautionary Tales for Children falls somewhere between Ogden Nash poems and The Gashleycrumb Tinies, being a series of extremely British humorous poems about terrible things happening to disobedient young'uns. One of the tales, "Matilda, Who Told Lies and Was Burned to Death," was familiar to me; it must have been in some anthology or other that I read when I was younger. Most of the stories give away their endings in the titles, and also all the children have absurdly British names, which is probably unsurprising coming from an author afflicted with the appellation "Hilaire Belloc." 
 
Anyway, the illustrations are cute, the deaths are grisly, the rhymes are sometimes a little bit slant, and the capitalization is decidedly of the Emphatic variety. My biggest criticism is that the two most boring tales, in which the children are merely reprimanded instead of dying horribly, are put right at the back, so the book ends on a bit of a flat note. Other than that, it's pretty much exactly what I wanted.
bloodygranuaile: (gashlycrumb clara)
 The second book I bought at the Edward Gorey House, which was not damaged at all, is The Secrets: Volume One: The Other Statue, a delightful murder mystery sort of thing in which a statue falls on Lord Wherewithal. The book is described on its dedication page as an “Homage to Jane Austen,” although this homage is purely stylistic as the story is devoid of both romance and economics. It is also, in typical Gorey fashion, devoid of plot resolution, although this one does have discernible throughlines in that its enormous cast of twee characters all have at least two, and sometimes three, pages dedicated to chronicling their goings-on. 
 
There are hints at the relationships between the various events, such as Augustus’ stuffed twisby and the Lisping Elbow both going missing. A closer read than I gave the book might reveal more of a real plot, and I have no doubt Gorey knew exactly what he was talking about with all of these semi-random happenings. 
 
The illustrations are very much peak Gorey, with the gothic Backwater Hall as full of textured decadence and silly pseudo-Edwardian details as one could wish. The humans have big hats and big coats and big moustaches and it’s very tempting to color them all in with colored pencil. 

All in all, it’s whimsical as all get-out and exactly what I wanted from a Gorey book.
 
bloodygranuaile: (gashlycrumb clara)
 When I went to the Edward Gorey house I bought a "mildly damaged" copy of The Glorious Nosebleed because I had forgotten I already owned a somewhat-more-than-mildly damaged copy of The Glorious Nosebleed. In fairness to myself, the copy I had was orange and the copy in the bookstore was red, so obviously they looked like two different books, and it's nice to have a red copy anyway because red is great.
 
The Glorious Nosebleed has nothing much to do with the nosebleed illustrated on the front cover, which does appear to be quite intense. The book is an abecedaire, much like the excellent The Gashleycrumb Tinies, except instead of the "A is for..." phrasing, each page is a sentence that ends with an adverb, and the adverbs, which are capitalized so you know they're important, go through the alphabet. They are all quite charming and silly and I started laughing actually out loud around "He fell off the pier Inadvertently" and it only got funnier from there. The illustrations are peak Gorey, with women in patterned drop-waist dresses and men in big old fur coats much like Gorey's (there even appears to be an author cameo right at the end), and lots of really exquisitely patterned carpets and wallpapers. 
 
Reading so much Gorey in such a short period of time also gave me the itch to sketch, a thing I have not done in more than a decade, but I took a stab at it with little Darkboy Zaraz and I feel better? I've really been in quit a pit lately about not doing anything creative for months and going to the Gorey house sort of made it worse, so it was good to quit whining and do even a tiny thing. 
 
Anyway, I just want things to be whimsical and delightful and gothy all the time; why is that so hard?

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