bloodygranuaile: (oh noes)
The thing for me about military sci-fi that is a large part of why I don’t read/watch a lot of it is that I feel like a lazy asshole sitting around consuming it when all the characters are busting their asses all the time. This was a big problem for me when I was watching Battlestar Galactica; I used to try and see how long I could hold certain karate stances during episodes or I’d just feel bad about myself. I ran into a similar problem when I began reading Hiroshi Sakurazaka’s All You Need is Kill on the bus, which is why I read most of it in two sessions on an exercise bike at the gym. Results: book is pretty good, also my legs hurt.

All You Need is Kill takes place in a future where alien robots filled with nanobots, called Mimics, are trying to xenoform the earth to a weird toxic wasteland, and are thus in a perpetual war with humans, who liked the earth the way it was. The best weapon the humans have are these big Iron-Man-suit kind of systems called Jackets. The book is told from the point of view of Keiji Kiriya, a fresh recruit to the Japanese wing of what has become essentially an international army. After dying horribly in his first battle, Keiji gets stuck in a time loop, reliving the 30 hours before his death over and over again. He has no idea why, and the only person who might know or be able to help him get out of it is an American Special Ops soldier named Rita Vrataski, colloquially known as the Full Metal Bitch.

This book has its “of course it is” moments but overall it’s a fun, fast-paced read. The English translation gives it a gruff, straightforward, military style. It’s short, and split into four long chapters that are further split into numbered scenes that keep track of the time loops. It’s got gritty grimdark war-is-hell kind of stuff all over the place, not in a way that I found particularly moving but enough that it didn’t seem to be taking war lightly. It’s got a very cinematic quality that’s definitely begging to be made into a graphic novel or a movie; I’m not sure if Edge of Tomorrow is actually that movie, since apparently they whitewashed the characters and moved it to Europe, which I’m guessing means they also wiped the role of Japanese technology in modern civilization.  Bad job, Hollywood.

I hope I will be able to formulate more and better thoughts on this before (and, most likely, during) the book club meeting for this on Thursday, but I didn’t want to put off writing a review until then even though it would probably have more to say.
bloodygranuaile: (oh noes)
Man, it's been a very long time since I've done a movie review. This is partly because I don't watch movies much anymore except for rewatching Pirates of the Caribbean: The Curse of the Black Pearl over and over again while I do research for my eLance client. I may have to cancel my Netflix DVD account; it takes me so long to get around to watching a movie that it would probably be cheaper for me to buy them at this rate.

Anyway. I finally got around to watching Samurai Fiction, recommended by Shayna quite a long time ago. Shayna's movie recommendations are pretty much always awesome, and this was no exception. It's a Japanese film, and though it was made in the 1990s, it's almost entirely in black and white. Occasional splashes of color are used to very good artistic effect. The cinematography is lovely, and shows the movie to have been directed by someone who is clearly very familiar with old samurai movies and the films of Akira Kurosawa. The very modern rock 'n' roll soundtrack works extremely well, especially for the fight scenes.

The storyline itself is a fun martial arts romp--not quite a comedy, but with a strong comic streak in it. Kazamatsuri, a very tall outlaw samurai, steals a sword that is the most precious treasure of the clan he's working for. The son of the clan chief, a hotheaded but honorable young samurai named Heishiro, runs off to take the sword back, accompanied by his two ridiculous friends. His father sends two awesome ninja after him to make sure he doesn't get into too much trouble. (ONE OF THE NINJA IS A LADY WOOHOO.) Kazamatsuri, unfortunately, is so badass that he beats the shit out of the three young dudes, and Heishiro recuperates at the house of a middle-aged dude who saved his sorry ass. The middle-aged guy, Mizoguchi, is a master swordsman, but also a pacifist, and lives in the woods with his daughter Koharu. A predictable but still very cute romance blossoms between Koharu and Heishiro, which mostly involves Heishiro getting nosebleeds. Kazamatsuri spends most of this time hanging out in a whorehouse with a couple of doofy minion-y friends he picked up and the woman who owns the place, who quite frankly may be the most awesome character in the movie. Mizoguchi tries to talk Heishiro out of killing Kazamatsuri as the story inevitably gears up towards a grand Final Showdown wherein the sword gets tossed into the river.

While there is a repeated srs bsns theme of pacifism and the necessity of taming Heishiro's hotheadedness and impatience, as they are manifestations of ego, these themes are basically there to ground the story just enough to keep it engaging--it is mostly a good, fluffy popcorn movie. Some parts of it are straight-up absurdist. Kazamatsuri makes the greatest unimpressed faces, and our noble young hero Heishiro's periodic flip-outs are deliciously undignified. Koharu is pretty adorbs and is shown as knowledgeable about a bunch of stuff like plant uses and is opinionated and not silly at all, so overall not a bad showing for being the sweet idealized lady love interest who's the only non-warrior in the movie. (Even awesome hooker lady claims to have killed several men and can hold her own in a fight using a poker).

My only real complaint about this movie is that the lady ninja did not get enough screen time. MORE LADY NINJA PLEASE! LADY NINJA ALL THE TIME 4EVER.

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