bloodygranuaile: (oh noes)
So it turns out that just because I don't work at a Big Six publishing company, it doesn't mean I can't steal any good books from work.

When my old editor-in-chief left, he found an ARC while cleaning out his desk that someone had given us as a review copy back when it was first published. The book was Hit Me!: Fighting the Las Vegas Mob by the Numbers by Danielle Gomes and Jay Benincasa. The ARC is dated May 2013, making this review three years late, so I don't know if I'm supposed to still send the publisher two copies like they asked for. What's the usual practice for this sort of thing? Anyway, publishers, if you wanna send review copies of gambling-related books to Casino City, we'll be more timely in the future, because I'm here now.

Hit Me! follows the story of Dennis Gomes, a young accountant with an unshakable sense of justice who is tasked with heading up and reforming the Nevada Gaming Control Board's Audit Division in 1970's Las Vegas. Most of the casinos in Vegas at this time were owned by Mafia groups--usually multiple outfits, as joint ventures--who massively underreported revenues and used the skimmed funds to finance all sorts of other mob operations back in their home territories. A pretty huge proportion of Nevada's political and law enforcement apparatus was also involved, either actively in the mobs' pockets or just unwilling to cross them. This lack of institutional support--plus the occasional active betrayal from inside the house--makes Gomes's job very, very difficult at times.

While the word "audit" may conjure up for some readers a rather unsexy image of some desk workers poring over spreadsheets, rest assured that this is a full-on gangster story, with all the clandestine meetings, undercover surveillance and raiding rooms full of money at gunpoint that that implies. The cast of characters is also pretty loud, on the cop side as well as the mobster side. Fans of the movie Casino will be able to spot some familiar material in the second half of the book as Gomes starts going after the Stardust's Frank Rosenthal and Tony "the Ant" Spilotro. (The first half of the book I'm not sure about 'cause I didn't see Casino until this Friday, because I am the worst gangster movie fan ever.)

The biggest strength of this book is that it is very, very detailed--not in a lengthy way, but entire conversations are reconstructed verbatim, accompanied by vivid sights and sounds and smells until you feel you might as well be reading a trashy noir novel. Some of this is because the Audit Division kept extraordinarily detailed notes, and some is apparently because Gomes had an excellent memory, but I'm sure a bunch of it is just because some of this shit is so crazy you could never forget it. Gomes makes a relatable enough viewpoint character most of the time; mostly he comes off as very committed to driving the mob out of Vegas and very frustrated when he can't, which is pretty hard to take issue with. You get a glimpse of a little more of a weird dude right at the beginning and right at the end, but for the bulk of the book he's all Secret Agent Man all the time.

I don't know if this is something they may have included in the final printing, but my biggest complaint about this ARC was its lack of photographs. I want some pictures! Mugshots, crime scenes, awful '70s fashion, pics of the tacky old casinos that were there before the tacky current ones. I mean, this should be obvious. The ARC doesn't even identify whose photos are being used on the cover.

Overall, though, this is a high-adrenaline true crime tale, and I especially recommend reading it while drinking wine in the bathtub.
bloodygranuaile: (oh noes)
The most recent Harvard Bookstore Warehouse sale had a good selection of books for those such as myself who have, since Lin-Manuel Miranda's play took Broadway by storm this fall, devolved into complete Hamiltrash. When I saw the title of Paul Collins' Duel with the Devil: The True Story of How Alexander Hamilton and Aaron Burr Teamed Up to Take On America's First Sensational Murder Mystery, I knew I had to buy it. Well, first I thought it must be fiction that had been misshelved, but then I reread the subtitle and picked it up and read the flap copy just to be sure, and when I got back home I immediately went online to see if I was remembering the lyrics properly:

[HAMILTON]
Gentlemen of the jury, I’m curious, bear with me
Are you aware that we’re making hist’ry?
This is the first murder trial of our brand-new nation
The liberty behind
Deliberation—

[ENSEMBLE]
Non-stop!

[HAMILTON]
I intend to prove beyond a shadow of a doubt
With my assistant counsel—

[BURR]
Co-counsel
Hamilton, sit down
Our client Levi Weeks is innocent. Call your first witness
That’s all you had to say!

[HAMILTON]
Okay!

Confirmed: This book is about the Levi Weeks case, a real case in which Burr and Hamilton really did serve as co-counsel for the defense.

The musical fudges the facts a bit for dramatic license. First of all, it barely touches on the case at all, subsuming it under the larger narrative of Hamilton's nonstoppitude, whereas this case was actually a really, really big deal. Second of all, it wasn't a big deal because it was the first murder trial since independence, since it really wasn't: It was the first murder trial that became a big public sensation along the lines of the popular murders that characterized the Victorian era across the pond (see; Judith Flanders' The Invention of Murder), which had sort of just barely started--because, thirdly, the Levi Weeks trial took place in 1800, when both Hamilton and Burr were well-established lawyers in Manhattan, and in their mid-forties.

Neither A. Ham nor A. Burr pop up too much in the earlier parts of the book, except in distant, tantalizing bits and pieces, like marching in Washington's funeral procession, and some little-regarded letters to the editors of various newspapers. Instead, the earlier sections of the book are dedicated to setting the scenes of life in three-turns-of-the-century-ago New York City in general, and in Elias Ring's boardinghouse in particular, where the major players in the crime all lived.

The short version: Elias Ring and his wife ran a nice, respectable Quaker boardinghouse, which at the time had four boarders: Mrs. Ring's sister Hope Sands; Hope's cousin Elma Sands; a cloth merchant named Richard Croucher; and a young carpenter named Levi Weeks. One day shortly before Christmas, Elma Sands got dressed up to go out, borrowed a muff from a neighbor, left the boardinghouse and didn't return. Around New Year's, her body was found in the Manhattan Well at Lispenard's Meadow, a well that had been recently built as part of Senator Aaron Burr's plan to improve the municipal water supply, but which had been abandoned because it kept filling up with quicksand.

Suspicion immediately fell upon Levi Weeks, who was rumored to have been engaged to Elma, and he was promptly arrested. His brother, Ezra Weeks, called upon some top-notch lawyers who owed him money to serve as Levi's defense team in exchange for canceling their debts. The lawyers in question were Senator Burr, Major General Alexander Hamilton, and future Associate Justice of the Supreme Court Henry Brockholst Livingston.

The trial ran for two full days, which was super long by the standards of the time, and had only one recess for a few hours overnight, during which the jurors had to sleep on the floor in a portrait gallery because it hadn't really been planned that the trial would run on for that long. Part of the length of the trial was due to Hamilton, Burr, and Livingston's brilliantly tricksy cross-examinations--mostly Hamilton was in charge of the cross-examining; he seemed to be having fun with it--and part of it was due to the approach of Assistant Attorney General Cadwallader Colden, which was to bring in basically everybody in Manhattan as a witness. Unfortunately for Colden, his prosecution was a complete mess. In addition to such blunders as citing cases that actually argued the opposite of what he claimed they argued, Hamilton and friends kept tripping up his witnesses with questions like "What day was that?" when they claimed they saw or heard suspicious things. (Things you learn from reading history: Old-timey people are not NEARLY as smart as people assume they were when complaining about Kids These Days. Like, sure, General Hamilton was certainly much smarter than your average asshole is today, but your average asshole in 1799 had alcohol for breakfast and didn't know how old his own children were.)

A nice gift for the nerds of the future was that this trial, all nearly forty-eight hours of it, was taken down in shorthand by the clerk of the court and later published in full as a book for mass purchase. As a result, we know every one of Colden's blunders, the defense team's snarky questions, and the witnesses' testimonies. The middle third of Duel with the Devil therefore gives us a very lively and detailed account of exactly who said what and how it was received. It makes a delightful courtroom drama.

The final third of the book discusses how the various publications about the trial were produced and received, as well as what happened to all the major players--including a pretty convincing theory on who it was that actually murdered Elma Sands. My favorite bits were learning more about the sad and wacky trajectory of Aaron Burr's life after he shot Hamilton, of which I had known nearly nothing: It turns out that he was indicted for murder in both New Jersey and New York, although the charges were eventually dropped; he fled out West where he was then charged with treason for fomenting a rebellion in Mexico; eventually he ended up wandering about completely penniless in Europe for several years before he dared return to New York and become a specialist in family law, which happened pretty much just because the only people desperate enough to be willing to use his services as a lawyer were women seeking divorce cases. (Burr represented Maria Reynolds, of the Reynolds Affair/Pamphlet notoriety, in her divorce. Isn't history fun?)

Overall, the book is a really fascinating look into a very particular slice of history, and is nearly a novel in its readability: It's got a fantastic cast, vivid worldbuilding, a thrilling mystery, and even some dryly funny dialogue:

"There were many discolorations on the teguments of the skin," Dr. Snedeker announced to the prosecutor. "There was a dislocation of the clavicle from the sternum."
There was a confused silence.
"Be so good, sir, as to speak in less technical language, so that the jury may understand you."
"The left collar bone was broke," the doctor sighed.

Well, I laughed.

Anyway. HIGHLY RECOMMENDED FOR: American history nerds, true crime nerds, my fellow Hamiltrash, combinations of the above.
 

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